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Film Look (FL) Creative Look recipe by Lahiru Rumesh, Sri Lanka, from Sony's Alpha Recipes collection.
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Thảo luận và bình chọn các biến thể công thức màu tốt nhất cho Film Look · Lahiru Rumesh
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The colour temperature the camera balances for. Set it higher than the actual light and the image renders warmer; lower and it renders cooler.
Fine adjustment along the amber–blue axis, on top of the temperature. A warms the image, B cools it. Seven steps each way, in quarter increments.
Fine adjustment along the green–magenta axis. This is the tint control — it corrects casts that temperature alone cannot reach, such as fluorescent light.
Overall this reads strongly warm — sunlit skin, whites tipping to cream, blues held well back. A light green lean sits over that, which suits foliage and open shade.
7600K and A1 push the same way, so they stack — the cast is stronger than either figure suggests on its own.
Three dials, one result. Temperature declares what light you are claiming to shoot under, and the two shifts nudge the outcome off that declaration.
The part that trips almost everyone: a higher Kelvin number produces a warmer picture, not a cooler one. The number describes the light, not the output. Tell the camera the light is 8000K — very blue — and it compensates by adding amber, so the file comes out golden.
That is why Temperature and Shift A/B are really one amber–blue axis in two different units, and why a warm Kelvin paired with a B shift is not a contradiction. It is a broad warm base with part of it deliberately pulled back. It buys precision the Kelvin dial cannot give on its own: a single 100K step is worth about 15 mired down at 2500K but only about 1 mired up at 9900K, so the shift is the finer control at the warm end and the coarser one at the cool end.
Shift G/M is the second axis, and Kelvin never reaches it. It is the tint control: G cancels the green cast of fluorescent light and open shade, M goes the other way.
The higher the value, the more the difference between light and shadow is accentuated.
Adjusts the brightness of the bright areas. Higher values make them brighter.
Adjusts the darkness of the dark areas. Higher values make them brighter.
Adjusts the degree of fade — a milky lift on the whole image. Larger values make the effect greater. Never negative.
The higher the value, the more vivid the colour. Range is -9 to +9 — much narrower than Picture Profile saturation. Cannot be adjusted on the BW or SE Looks.
Adjusts sharpness. Higher values accentuate contours; lower values soften them. Never negative.
Sets the range the sharpening applies to. A larger value applies it to finer outlines. Runs 1 to 5, never signed.
Adjusts the degree of clarity — local contrast in the mid-tones. Larger values make the effect greater. Never negative.